except this one is by Dali and sports a much more 'signature' tache, a reinvention of marcel duchamp's parody, L.H.O.O.Q. here, dali is representing himself as an artist maintaining his own subjectivity, as both the creator and self-created.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO-G2rPQiIXeJFC2HyFUSXyhXys4JajQXLUfURVymCw8jhGGjxMco1fSTIrxZaVxyMWs68aB_2FKrAuzcgTCYKGBFBbjp6GYJxFdhcPKl_pwzNElp5UtSRkdAanT2zvQwKy0tjXtUjoQN2/s320/Dali2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYwVWxk-LwnxiE-2fm78Mve2nxO3aNADOXCf91xL6uM3NOcFJXodPCWczVOAhB0aN5IW29Jsawj-l6SC9oZI0-aGSoJ1Ey3WkV6NITwSwcJs9UdfJ9t74IdIScTowS0F3BXyflsIOsscY/s320/PicabiaDuchampB.jpg)
duchamp's ready-made aided 'objet trouve' pokes fun at the sexual ambiguity of the mona lisa as well as makes a snide reference to leonardo's own homosexuality.
http://www.studiolo.org/Mona/MONASV12.htm
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